American Writers & Artists, Inc and International Living present
 
Passport to Romance: The Ultimate Travel Writers Course

The Write Way to Travel

"The greater danger for most of us is not that our aim is too high and we miss it, but that it is too low and we hit it." - Michelangelo


Today:

  • What Two Technical Writers, a Travel Agent, and a Lawyer Did to Transform Themselves into Travel Writers and Photographers in Just a Handful of Days
  • Are You Good At Persuading People?
  • Write for Me: How I Pick the Travel Writers and Photographers for My Guidebooks
  • This Week's Featured Travel Publication: Modernism Magazine
  • More Opportunities and Resources for Writers

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"Lori, this was easier than I thought. I just submitted 12 of my DC pictures to an online stock agency and five were accepted. Four of them were ones I took during the workshop and the fifth was one I took that very next weekend. Please tell Rich and B. Howard I said thanks." - Terry Allen

Join us this March 22-25, 2006 in exclusive, tropical, pristine Bermuda and learn from professional photographers the techniques they use to shoot pictures that sell for $400, $600 -- and even higher.

PLUS -- Learn all the ins-and-outs of researching and writing travel guidebooks -- including hands-on experience interviewing executives and writing critiques of some of the most famous resorts in Bermuda.

For details visit: http://www.thetravelwriterslife.com/bermuda or call the AWAI office at (866) 529-0538 or (561) 278-5557. Seats are limited.


 

Dear Reader,

I barely have enough room these days to list all our successful photography and travel writing course students...

You've heard me mention Maryanne Hamilton before. She's had a lot of luck displaying her pictures in art galleries. But just recently she had some writing success too.

Maryanne is an elementary school art teacher who took a trip to Italy in 1999 to see the famous painted ceilings of the Sistine Chapel. When she returned, she convinced the principal of her school to let the kids paint the ceiling tiles so that whenever anybody looked up, they'd see little masterpieces created by the fifth graders.

Just recently Maryanne wrote a story about that project, titled "Put it on the Ceiling," and sold it to Arts & Activities Magazine .You'll find it in the February 2006 issue.

Ale Cantu has had some writing success too. She writes, "I just want to tell you that the travel writer's course, along with your comments and tips in your newsletters have been very useful for me. I am now the Travel Editor for a local newspaper in my hometown, Monterrey, MX. It is the only English newspaper on the area, and I basically focus in the beautiful places Mexico has for traveling.

"I do not get paid, but I love what I do, and I already have several clips for me to show when I travel. In fact, it was very useful for me and my husband when we traveled to Canada last October. We had VIP treatment in several cities, and we stayed in beautiful hotels, some of them for free! I already published an article on Ottawa and another one on Niagara Falls in Wintertime. Thank you again!"

And then there are all the success stories that came out of our last photography and guidebook writing workshop in The Bahamas...

Some folks landed perks as a result of their work updating B. Howard's Adventure Guide to the Bahamas -- Joseph Satto spent two weeks after the workshop hopping from island to island snapping photos and writing up reviews for the guide (he had all but two nights comped).

And Susan Hudson spent her days after our Bahamas workshop backstage at the local zoo and swimming with the dolphins on a nearby island -- both free excursions.

Plus an incredible number of workshop participants will see their material published (with by-lines) in the book.

B. Howard shared the good news in an email...

"Lori, I am excited to tell you that not only was I able to pick three separate photographs to publish in the book, I am also submitting 16 more for a total of 19.

"That's how good the photography was/is. The three that will earn photographic by-lines for sure are: Christina Solstad (Her picture of a lady in a dress wading in the sea and picking up a conch shell is absolutely outstanding.), Debbie Bennett's picture taken below the waters of the Atlantis aquarium is unique, to say the least, and has earned a well-deserved spot in the book, and Lynnia Allison's Domino Player is perhaps one of the best character studies I've ever seen presented by an amateur photographer.

"I am also submitting photographs by Bobbie Hamilton, Brooks Allisen, Heather Robson, Joseph Satto, Lilly Torrez, Susan Hudson (four, wow), Terry Allen and, of course, you. My publisher will make the final decision about those, but I am sure a goodly number of them will be included because they illustrate exactly what the Islands of the Bahamas are all about.

"Now, as to the articles: by-lines will be received by Susan Hudson (three), Lilly Torrez, Linda Stienmuller (two), Christina Solstad, Joseph Satto (seven - great job Joseph), Sue Wright, Heather Robson, and a couple from you. I do still have a couple more to consider and will probably add them when I make the final submissions."

That just goes to prove my contention that you can't beat the opportunity you gain at these photography and guidebook writing workshops. You can, literally, come away from one of these programs with career-launching and portfolio-building by-lines.

Not only will you gain confidence and real-world, money-making skills... skills that can help you pay for your travels for the rest of your life... but we'll deliver you a real chance of getting published... fast.

Our next such program, as you know, is coming up quickly here.

We'll be in Bermuda to update B. Howard's Adventure Guide to Bermuda March 22-25, 2006. This is our last Photography and Guidebook Writing Workshop of the year -- and your best opportunity to get your career on the fast-track before the summer travel season kicks in.

Now is the time to sign up. When you do so before Monday, you save $300 on the workshop fee, and you'll still be eligible for the incredible hotel discount we were able to arrange -- you save a whopping $290 per night on the room.

I assure you, there's no more enjoyable, productive -- or affordable -- way to explore this island while you learn and travel with the pros.

For all the details, click here: http://www.thetravelwriterslife.com/bermuda or call the AWAI office at (866) 529-0538 or (561) 278-5557. Ask for Barb or Scott.

If you have any questions before signing up, you can always shoot me a note at lori@thetravelwriterslife.com -- I'll be checking my email all weekend.

I hope to see you in Bermuda,

-- Lori

Lori Appling
Director, AWAI's Travel Division

P.S. Know a friend or two who'd enjoy the freedom and independence of a writer's life? They, too, can sign up to receive this free e-letter weekly at: http://www.thetravelwriterslife.com/eletter



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YOU CAN BE NEXT -- HOW I PICK THE TRAVEL WRITERS AND PHOTOGRAPHERS WHO CONTRIBUTE TO MY GUIDEBOOKS
By freelance travel writer and photographer, B. Howard in Cleveland, TN


In The Bahamas this past November -- where we hosted our first Photography and Guidebook Writing Workshop -- the idea was that the attendees would help me update the new edition of my Adventure Guide to those islands.

I had suggested that at least three attendees would have their photographs published in the book and thus gain a nice by-line. And I had also agreed to publish any articles, reviews or postcards that might help the overall content of the book.

Well, the response from attendees was incredible. I had so many articles to consider -- submitted by more than a dozen attendees -- it took me almost three months to sort them out and make some decisions.

The photography submitted by almost everyone was outstanding, and far beyond what I was expecting.

You know, we see people arriving at these workshops with small digital cameras, some of them know so little about photography they are barely able to turn those cameras on. But when they leave us after three or four days, these people are shooting great images -- far better than even I thought was possible by such inexperienced amateurs.

Is it the instruction they receive from Rich Wagner and me? I hope so. In fact, I know so.

But beyond that, I think they bring an overwhelming desire to succeed and an enthusiasm for writing and photography that bears no defeat. And that's what it takes: a will to win and a strong desire to learn how the pros do what they do.

Of course, there are, practically speaking, a few things you can do to increase your chances of success. Here's what the folks whose work I chose to include in my Bahamas book did right --

THREE TIPS FOR BETTER WRITING (EVEN IF YOU'RE NOT A WRITER)

Some of the best writing I got for this book came from one of the non-writers in the class, Joseph Satto. Joseph did three things well...

1. He said what he meant. Instead of focusing on "the way" he said something, he focused on "what" he had to say. People who write novels and poems for a living tend to get wrapped up in their own words and end up paying more attention to how they want to say something rather than what is actually interesting to the reader. You should keep that in mind the next time you sit down to write. Joseph did an outstanding job of reviewing places and submitting exactly what I needed for my book. Any editor will appreciate that.

2. He was observant. Instead of trying to fill the page with purple prose, his writing was packed with information the reader really needs to know. His reviews are well-written - with no added fluff of superlative adjectives that turn an otherwise useful review into an editor's nightmare. He stuck to the facts, wrote about them as he saw them, cut out the BS, and turned in a number of very useful pieces of writing.

3. He spent his time asking questions, listening to the answers and acting on them. When he was told that something might be of interest, he sallied forth and took a look. If HE, and I do emphasize "HE," found it to be interesting, he figured that our audience would be interested too. Then he sat down, took notes, analyzed what he learned, then cut out the superfluous and built a series of articles he knew I would love; and I did, and so will my publisher.

FIVE TIPS FOR BETTER PHOTOGRAPHS (NO MATTER WHAT KIND OF CAMERA YOU'RE USING)

I've said this before but it's worth repeating - there are certain things you can do to transform your pictures into extraordinary images, no matter what kind of camera you have. Here are five things the folks whose photos I chose did well...

1. They made their pictures unique -- A beach is a beach is a beach. It's hard to get an ugly picture of the water in The Bahamas. Most people are fascinated with the beautiful colors alone -- blue waters lapping up on white sand. An untrained photographer will snap away and try to capture the many hues of the ocean. But no matter how perfectly they capture the color, the picture is useless if it doesn't have a dominant POINT OF INTEREST.

And that's exactly what our winners included: they made sure there was at least something in the immediate foreground that would grab the viewer's interest: a fish, a beach chair, but more often than not -- and most important -- they put people in their pictures.

2. They trained themselves to be more observant - An untrained photographer might not notice the trash can, the dirty diaper, or the crumpled beach towel. You MUST survey the scene.

I have said this so many times I know that by now you must be bored stupid by it; but it is very important. Just a few days ago I saw a photograph taken inside a manufacturing plant, and it was to be used for advertising. Right there in the foreground, on top of a machine's worktable, was a dirty, oily wiping rag. It completely spoiled an otherwise great image.

Folks, this is photography 101. You have to train yourself to see this stuff. It does take practice. But it'll pay off, I promise.

3. Include people... oh dear, how many times have I said this? People sell pictures. If there is one thing you will learn from me it is that. DO NOT wait around for the people in your image to leave. Instead, watch what they are doing. Wait for them to do something interesting (people being people always will) and then shoot the image. You have no idea how this simple concept will improve your photography and increase the number of photographs you sell.

4. Use what you know about composition. In Turn Your Pictures into Cash, AWAI's photo course (http://www.thephotographerslife.com/tw4) you learn the Rule of Thirds, diagonal lines, and framing in one of the first few lessons. Learn these... master these. They're critical keys to success.

5. Finally, the guys who have won places in my book didn't try to re-invent the wheel. Rich and I told them what would work - what does work - and they listened. Then they went out and did as they were asked. The result was a vast number of saleable photographs. (Heck, I have seen images shot at our workshop in the Bahamas, by rank amateurs, that I would have been proud to have shot myself.)

[EDITOR'S NOTE: If you'd like to be among those whose work B. Howard considers for his Adventure Guide to Bermuda... it's not too late to save yourself a seat at our upcoming Photography and Guidebook Writing Workshop there, set for March 22-25: http://www.thetravelwriterslife.com/bermuda.

In fact, now is the time to do it. Sign on before Monday, March 6, and you can still save hundreds of dollars with our Early Bird Discount.

Remember, too, this is the last such workshop we're offering in 2006. (And B. Howard won't be updating his books for at least another two years.)

I can't imagine a better opportunity to not simply learn photography and writing secrets from the experts, but to have the real possibility of generating a by-line before the weekend is even over.

Our experts B. Howard and Rich will be joined in Bermuda by seasoned travel writer Steenie Harvey. Together the three will teach you everything you need to know about taking the best photographs... and then selling them to editors. And at the same time you'll learn all the ins-and-outs of researching and writing travel guidebooks -- including hands-on experience interviewing executives and writing critiques of some of the most famous resorts in Bermuda. For details: http://www.thetravelwriterslife.com/bermuda ]


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You might not have been there in the room... but that doesn't mean you have to miss out. Here's everything they learned and more: http://www.thetravelwriterslife.com/toolkit



THIS WEEK'S FEATURED TRAVEL PUBLICATION
Modernism Magazine, a quarterly publication on 20th century art and design, publishes essays, photo features, and nostalgic or historic articles. They like articles written to a popular audience that have been well researched. Send queries to Andrea Truppin at andrea@modernismmagazine.com. They do accept previously published articles.




OPPORTUNITIES AND RESOURCES FOR WRITERS:

RETIRE...AND GET PAID TO TRAVEL -- Get the details and your free report at: http://www.thetravelwriterslife.com/kp/tw4

TURN YOUR PICTURES INTO CASH -- Here's everything you need to know about this fun and lucrative side-business: http://www.thephotographerslife.com/tw4

CREATE A SECOND INCOME BY WRITING STEAMY LOVE NOVELS
-- Your daydreams could be worth a small fortune. Thanks to a booming $1.52 billion romance market -- and a ravenous audience -- publishers are now willing to pay $7,000 ... $24,000 ... $50,000 ... even for first-time writers! Here's more: http://www.theromancewriterslife.com/tw4

TAX SAVINGS EVERY FREELANCER SHOULD TAKE -- Find out where you can save... what the IRS really needs to know... how to make the most of those deductions for travel, meals, entertainment, home office, and more including practical worksheets you can use to make sure you're paying as little as possible to Uncle Sam. You'll find "The Writer's Tax Guide: A Money-Saving Manual for Travel Writers and Other Freelancers" here: http://www.thetravelwriterslife.com/tax/tw4

CAN YOU WRITE A SIMPLE LETTER? -- If yes, you could be in beg demand, earning big money, writing just a few hours a day from anywhere in the world you choose to be. Here's how you can learn the secrets of this little-known, lucrative business: http://www.thewriterslife.com/ph/tw89/

THE AWAI FORUM FOR TRAVEL WRITERS -- You'll find this excellent online resource at: www.thetravelwriterslife.com/forums. It's a place to get answers to your questions, discuss your story ideas, find readers to review your articles, and stay connected to a community of writers.

EVERYTHING YOU NEED TO KNOW ABOUT THE BUSINESS OF WRITING -- Learn how to find the best story ideas and places to publish them...how and when to follow up with an editor...what you need to know about buying rights, contracts, and agreements...how to use syndication to increase your exposure and boost your earnings...and more.  You'll find "The Business of Writing Guide: A Practical Guide for Travel Writers (and Other Freelancers) Ready to Turn Words into Profits" here: http://www.thetravelwriterslife.com/biz/tw4

DO YOU HAVE WHAT IT TAKES TO WRITE FOR THIS MARKET -- 76.1 million baby boomers are turning 50 at a rate of 3 to 4 million a year.  Their knees hurt, their backs hurt, their cholesterol is high, their prostates hurt, they're going through menopause, they're having trouble sleeping, they're anxious... If you have what it takes to sell to this market, you can make very good money in a specialty field that will give you as much work as you can handle...and that routinely pays $8,000 and up - with royalties - for each sales letter you write... Find out more at: http://www.thewriterslife.com/health/tw4  


The Write Way to Travel is a FREE weekly newsletter from the American Writers & Artists Institute, available to AWAI students and friends.

© 2006 American Writers & Artists Institute

To ADVERTISE in The Write Way to Travel or to send comments, news, research, or story ideas, e-mail Lori Appling at lappling@awaionline.com.

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